Here in Britain, the voice of the moment is that of the 16 year
old Joss Stone. Such precociousness is uncanny. But lest we on this
side of the Pond think we are uniquely blessed, I have to here report
that Canadians are launching on the world a precocious talent of their
own. Serena Ryder.
True, she is 5 years the senior of Joss. And this young woman from
Ontario is also seemingly a decent musician, and a not-untalented
songwriter (so doesn’t just cover other artistes’ work: indeed apart
from the last track, these are all her own songs). But the comparison
with Stone is still a legitimate one. Both have drunk deeply at the
well of Janis Joplin; but whereas Stone’s voice then veers down Aretha
Franklin Avenue, Serena’s owes more-than-a-bit to that male
masturbator’s dream of a voice: “Melanie” (Safka). She has that same
vibrato coupled with that sexy huskiness. And allied with Joplin’s raw
power. The result is a voice to put Town Criers out of business.
A very impressive debut international release, the CD has been produced
by that Renaissance Man of a fellow, Hawksley Workman: and he is no
mean musician himself. Derrick Brady on bass, and Todd Lumley on
keyboards make up the quartet of instrumentalists, and ensure a full
sound.
Not really persuaded by the songs, but totally persuaded by the deliveries.
The stand-out track was the rather catchy “Just Another Day”.
And the other song that did it for me was the one song she did not
write, the Gordon/Warren composition “At Last” made famous by many:
most latterly, by Eva Cassidy, and before her, Etta James. The degree
of sure-footedness with which she approached this, convinced me that
she would do well to do more cover versions of “standards”. There was
no attempt to ape anyone else: she put her own stamp on the song with
that belting voice. This young woman clearly means business.
I wouldn’t want to bump into her in a dark alley!
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